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2,340 Miles from 1880
10:00 min archival assemblage short
director, producer, editor
Fall 2023
10:00 min archival assemblage short
director, producer, editor
Fall 2023
Screened at Rockaway Film Festival July 2024 for the Juneteenth Celebration curated by Alfreda cinema
Screen at BAM “Netherworld: The Anteaesthetic Experiments of Black Women” presented by Alfreda Cinema
In association with the Chicago Architecture Biennial and hosted by Blanc Gallery, the Black Reconstruction Collective (BRC) presents UNMONUMENT CHICAGO: AFTER WORK, the first of 10 research-driven installments that will travel to sites throughout Black America. An industrial lift customized by olalekan jeyifous hosts audio, visual, and text components to support the gathering of a film screening. UNMONUMENT CHICAGO: AFTER WORK includes the premier of the film 2,340 Miles from 1880 by Zion Estrada in collaboration with V. Mitch McEwen with archival research by Cammy McEwen. Inspired by close readings of archival material on plantation worker strikes preceding the Great Migration, 2,340 Miles from 1880 stages an abstract meditation on Black work stoppage as a recursive and aesthetic practice, through found video, archival papers, photography, and original soundtrack.
https://chicagoarchitecturebiennial.org/program/unmonument-chicago-after-work/
A visual and sonic meditation on Black strikes and the Mississippi River as a flow of Black rebellion, this piece of cinema-as-archive-as-monument layers words and objects to speculate events that moved between Louisiana and Chicago. With found footage and original digital drawings and archival papers from the Amistad Research Center, the 12 minute video follows the flow of archives from rebellions on the plantation to ephemera at the South Side Chicago Arts Center, from ecosystemic destruction to a sense of the Great Migration as a fantasy space and a film waiting to be lived. 2,340 Miles from 1880 charts along the 2,340 miles of the Mississippi River a montage of Black life on the move and in the chorus of the multitude, where the stillness of watching a film and halting work on a petrochemical plant or a plantation tracks closely to lighting it all on fire. Weighted by Delta binaural frequencies, found sounds and field recordings, the film’s sonic layering forms an extension of deep listening as rebellion practice.
UNMONUMENT CHICAGO: AFTER WORK marks the first time that the BRC’s creative collaborative practice has extended beyond the ten founding members and awarded fellows. BRC presents this UnMonument to the Great Migration and from the Great Migration for the Chicago Architecture Biennial 5: “This is a Rehearsal.” Blanc Gallery will host UNMONUMENT CHICAGO: AFTER WORK alongside AT FIRST GLANCE (Oct 14 – November 25 2023), the third installment of Patric McCoy’s poetic collection of Black male vernacular photography, curated by Viktor L. Ewing-Givens.
Screen at BAM “Netherworld: The Anteaesthetic Experiments of Black Women” presented by Alfreda Cinema
In association with the Chicago Architecture Biennial and hosted by Blanc Gallery, the Black Reconstruction Collective (BRC) presents UNMONUMENT CHICAGO: AFTER WORK, the first of 10 research-driven installments that will travel to sites throughout Black America. An industrial lift customized by olalekan jeyifous hosts audio, visual, and text components to support the gathering of a film screening. UNMONUMENT CHICAGO: AFTER WORK includes the premier of the film 2,340 Miles from 1880 by Zion Estrada in collaboration with V. Mitch McEwen with archival research by Cammy McEwen. Inspired by close readings of archival material on plantation worker strikes preceding the Great Migration, 2,340 Miles from 1880 stages an abstract meditation on Black work stoppage as a recursive and aesthetic practice, through found video, archival papers, photography, and original soundtrack.
https://chicagoarchitecturebiennial.org/program/unmonument-chicago-after-work/
A visual and sonic meditation on Black strikes and the Mississippi River as a flow of Black rebellion, this piece of cinema-as-archive-as-monument layers words and objects to speculate events that moved between Louisiana and Chicago. With found footage and original digital drawings and archival papers from the Amistad Research Center, the 12 minute video follows the flow of archives from rebellions on the plantation to ephemera at the South Side Chicago Arts Center, from ecosystemic destruction to a sense of the Great Migration as a fantasy space and a film waiting to be lived. 2,340 Miles from 1880 charts along the 2,340 miles of the Mississippi River a montage of Black life on the move and in the chorus of the multitude, where the stillness of watching a film and halting work on a petrochemical plant or a plantation tracks closely to lighting it all on fire. Weighted by Delta binaural frequencies, found sounds and field recordings, the film’s sonic layering forms an extension of deep listening as rebellion practice.
UNMONUMENT CHICAGO: AFTER WORK marks the first time that the BRC’s creative collaborative practice has extended beyond the ten founding members and awarded fellows. BRC presents this UnMonument to the Great Migration and from the Great Migration for the Chicago Architecture Biennial 5: “This is a Rehearsal.” Blanc Gallery will host UNMONUMENT CHICAGO: AFTER WORK alongside AT FIRST GLANCE (Oct 14 – November 25 2023), the third installment of Patric McCoy’s poetic collection of Black male vernacular photography, curated by Viktor L. Ewing-Givens.
Zion Estrada (she/her) is an interdisciplinary artist researcher. Her work flows between archival assemblage filmmaking, sonic collage production and experiential design centering human and more-than-human (re)connection.
Zion’s experimental collage language in film and sonic works often use layering of field recordings, found sounds and carefully curated sound clips that score a line of discourse that complicate temporality, history and meaning making. Her practice is informed by the palimpsest and Pauline Olivero’s Deep Listening.
She is most interested in the non-verbal and more-than-human qualities of storytelling from the African diaspora (specifically the Caribbean) and how sounds hold the spirits of the past and the alchemic power to magnetize communities, movement, moods, and healing. She draws from the traditions of Black Trans abolitionists care making, sex worker solidarity, doula presence practices and movement architects love of release.
Zion is currently researching traditional forms of care and pod practices and repair as they relate to mangrove and wild grass systems.
Zion is the Creative Director of Black Discourse, co-founder of Wild Grass Design + Research Practice and owner of BZE Consultant LLC. She holds a M.A. Ed focused in participatory research and linguistics.
PREVIOUSLY
Director of Programs at BLD PWR; holds 10yrs as educator and curriculum developer.
CURRENTLY
Board member at Citizens of Culture
Exhibitor at the Ghetto Biennale in Jacmel, Haiti 2024
Participant in MIT Worlding Project Community 2023
Zion’s experimental collage language in film and sonic works often use layering of field recordings, found sounds and carefully curated sound clips that score a line of discourse that complicate temporality, history and meaning making. Her practice is informed by the palimpsest and Pauline Olivero’s Deep Listening.
She is most interested in the non-verbal and more-than-human qualities of storytelling from the African diaspora (specifically the Caribbean) and how sounds hold the spirits of the past and the alchemic power to magnetize communities, movement, moods, and healing. She draws from the traditions of Black Trans abolitionists care making, sex worker solidarity, doula presence practices and movement architects love of release.
Zion is currently researching traditional forms of care and pod practices and repair as they relate to mangrove and wild grass systems.
Zion is the Creative Director of Black Discourse, co-founder of Wild Grass Design + Research Practice and owner of BZE Consultant LLC. She holds a M.A. Ed focused in participatory research and linguistics.
PREVIOUSLY
Director of Programs at BLD PWR; holds 10yrs as educator and curriculum developer.
CURRENTLY
Board member at Citizens of Culture
Exhibitor at the Ghetto Biennale in Jacmel, Haiti 2024
Participant in MIT Worlding Project Community 2023
Film
Sound Works
- Wild Grass Sonic Feild Notes - Posture, Transmission, Land
- Brick by Brick
- Virgil Abloh Broke My Mind
- Hear Her Here
- Archipelago
- The Reclamation Project
- Sonic Architecture 405S
- River Fire Akosombo
- Rain Release Kauai
- Black Femme Relationality Kingston
- Kids Kids Goats Accra
- Birds Talking Shit Johannesburg
- Kandaka Sudan
Appearances
- Texte Zur Kunst Film Review Issue No.133/March 2024 “Restitution”
- Quantum Listening: Sound as Form/Practice
- Black Reconstruction Collective discusses UNMONUMENT CHICAGO:After Work, the group’s contribution to the 2023 Chicago Architecture Biennial
- Challenging the Perception of Preservation in Accra’s Architecture - Press
- ‘Certain Winds From the South’ NY African Film Festival
- Rhythmic Resistance
- Precious Time
- Love Extremist
- On the Art of Building New Language with Thando Hopa
- On the Art of Building from Scratch with Sandy Alibo
- On the Art of Lagosian Filmmaking with Arie & Chuko Esiri
SEE CURRENT VISUAL DISCOURSE ︎︎︎