title
format
location
archive
format
location
archive
Sonic Architecture 405S
Feild Recording
Los Angeles
City in Attunement Archive
Feild Recording
Los Angeles
City in Attunement Archive
Listen here.
I had a full drum kit stored in the back of my Jeep for a couple weeks waiting to set it up in my friends studio.
It became my radio. I observed the energy and frequency of each freeway I drove on. Which one activated the bass drum, the high hats.
The 405 S apparently loves the cymbals.
I had a full drum kit stored in the back of my Jeep for a couple weeks waiting to set it up in my friends studio.
It became my radio. I observed the energy and frequency of each freeway I drove on. Which one activated the bass drum, the high hats.
The 405 S apparently loves the cymbals.
Zion Estrada (she/her) is an interdisciplinary artist researcher living on Gabrielleno/Tongva/Chumash Land. Her work flows between archival assemblage filmmaking, sonic collage production and experiential design centering human and more-than-human (re)connection.
Zion’s experimental collage language in film and sonic works often use layering of field recordings, found sounds and carefully curated sound clips that score a line of discourse that complicate temporality, history and meaning making. Her practice is informed by the palimpsest and Pauline Olivero’s Deep Listening.
She is most interested in the non-verbal and more-than-human qualities of storytelling from the African diaspora (specifically the Caribbean) and how sounds hold the spirits of the past and the alchemic power to magnetize communities, movement, moods, and healing. She draws from the traditions of Black Trans abolitionists care making, sex worker solidarity, doula presence practices and movement architects love of release.
Zion is currently is practicing in emergent transformative justice work with Abolition Dream lab practicing in radical learning communities how to prepare, account, release and re-story the harms we have caused, the roots the harms have in culture and systemic violence while centering care, healing and rest.
Zion is the Creative Director of Black Discourse, co-founder of Wild Grass Design + Research Lab and owner of BZE Consultant LLC. She holds a M.A. Ed focused in participatory research and linquistics.
PREVIOUSLY
Director of Programs at BLD PWR; holds 10yrs as educator and curriculum developer.
CURRENTLY
Board member at Citizens of Culture
Exhibitor at the Ghetto Biennale in Jacmel, Haiti 2024
Participant in MIT Worlding Project Community 2023
Zion’s experimental collage language in film and sonic works often use layering of field recordings, found sounds and carefully curated sound clips that score a line of discourse that complicate temporality, history and meaning making. Her practice is informed by the palimpsest and Pauline Olivero’s Deep Listening.
She is most interested in the non-verbal and more-than-human qualities of storytelling from the African diaspora (specifically the Caribbean) and how sounds hold the spirits of the past and the alchemic power to magnetize communities, movement, moods, and healing. She draws from the traditions of Black Trans abolitionists care making, sex worker solidarity, doula presence practices and movement architects love of release.
Zion is currently is practicing in emergent transformative justice work with Abolition Dream lab practicing in radical learning communities how to prepare, account, release and re-story the harms we have caused, the roots the harms have in culture and systemic violence while centering care, healing and rest.
Zion is the Creative Director of Black Discourse, co-founder of Wild Grass Design + Research Lab and owner of BZE Consultant LLC. She holds a M.A. Ed focused in participatory research and linquistics.
PREVIOUSLY
Director of Programs at BLD PWR; holds 10yrs as educator and curriculum developer.
CURRENTLY
Board member at Citizens of Culture
Exhibitor at the Ghetto Biennale in Jacmel, Haiti 2024
Participant in MIT Worlding Project Community 2023
Film
Sound Works
Appearances
- Texte Zur Kunst Film Review Issue No.133/March 2024 “Restitution”
- Quantum Listening: Sound as Form/Practice
- Black Reconstruction Collective discusses UNMONUMENT CHICAGO:After Work, the group’s contribution to the 2023 Chicago Architecture Biennial
- Challenging the Perception of Preservation in Accra’s Architecture - Press
- ‘Certain Winds From the South’ NY African Film Festival
- Rhythmic Resistance
- Precious Time
- Love Extremist
- On the Art of Building New Language with Thando Hopa
- On the Art of Building from Scratch with Sandy Alibo
- On the Art of Lagosian Filmmaking with Arie & Chuko Esiri
SEE CURRENT VISUAL DISCOURSE ︎︎︎